The Sanctuary of Dreams operates as a collective framework for imagining futures, developed within the universe of Toguna World to reactivate dreaming as a shared cultural practice rather than an individual act.
David Bellion spent over a decade in top-flight football, playing for clubs like Manchester United and Sunderland, before becoming Red Star FC's creative director, focusing on brand development and cultural connections.
The collaboration marries Yener's distinctive vocals with the punchy sound of Madrigal, resulting in a contemporary track that resonates with emotional complexity.
Lachlan Turczan's practice sits in the space between physics, optics, and environmental art, as he works with lasers, water, mist, and custom-built lenses to produce sculptures made entirely from light.
Soulwax threw a rave at London's famed Abbey Road Studios, the first ever such dance party at the place where The Beatles and many more have recorded classic albums.
Butterfly unfolds across four unique versions of the same song, each exploring different genres and emotional depths while maintaining a cohesive melody and lyrics.
In Braque's paintings, collages, and prints, the polymath set out to distill bucolic landscapes and rural village scenes as broken up and then re-assembled geometric compositions; decidedly abstract yet still slightly recognizable representations. Through this revolutionary approach, he examined how objects could be depicted from multiple perspectives-multiple sources of light-as if superimposed portrayals of the same setting rendered at different times of day.
Drawing inspiration from Jen Beagin's novel 'Big Swiss,' the song encapsulates the humour, transgressions, and blurred boundaries that emerge when desire takes the reins. The sleepless nights of infatuation sharpen our perceptions of the mundane and often reveal more about ourselves than about the object of our fixation.
The bizarre, multilingual stories that emerged match the French duo's ramshackle, home-recorded sound, which features everything from toybox percussion to farmyard sound effects. Their whimsical approach is anchored in the outsider pop and post-punk of 1980s Europe, which embraced discordant instrumentation and disaffected vocals.
The Eski.Sub draws inspiration from the visual language of Brutalist architecture and the cultural atmosphere of UK grime music scene. The project examines the relationship between design, urban context, and emotional listening experiences, positioning the loudspeaker as both an audio device and a spatial object.
Her slowly shifting synthesizer compositions and quiet, meditative pieces for acoustic instruments continue to inspire a deep immersion in their audiences, and her recordings and writings have influenced multiple generations of musicians worldwide.
Presented by the Luma Foundation in Engadin, Switzerland, as part of Elevation 1049, STRIP TOWER (962) brings Gerhard Richter's long-running investigations into the Alpine landscape, extending his practice beyond the canvas and into three-dimensional space. On view until the spring of 2029, the work draws from the methodology of his Strip Paintings, where a single painted gesture is subjected to successive acts of photographing, scanning, digital slicing, and stretching.
quicksand is about staying rooted in yourself and not trying to fit into something that isn't yours. This powerful message reflects Simone's artistic philosophy of authenticity and self-identity, central to her songwriting approach and musical identity as an emerging artist navigating the international music landscape.
While we started designing a retail space for the brand, we perceived Gully Labs as a celebration of Indian street culture, glorified, unified, and expressed through sneakers and apparel that pay homage to Indian craftsmanship and the raw vibrancy of the streets. Every element, from design to detailing, reflects this authenticity, positioning the brand not just as a retail destination but as a cultural movement.
This release is about connection. Not in a strategic sense, but in terms of feeling part of a scene rather than orbiting around it. There's a lot of really strong music coming out of Australia right now, especially in the underground, and this felt like the right moment to place something there.
The work behind "Waiting for You" by Monotronic spanned two years and several geographic mindsets. Its songs were built in the contained spaces of an East Village apartment and the open humidity of Tulum, initially seeming like disparate projects with no clear direction. Only in retrospect did their shared disposition come into focus. This is an album about the slow work of self-knowledge, which here looks less like an epiphany and more like the gradual acceptance of a particular signal,
The Phase8 uses a new form of "acoustic synthesis" that combines acoustic sound generation with electronic control. Takahashi says the synthesizer is "beyond analog vs. digital" and "beyond electronics" altogether. It features chromatically tuned steel resonators, which creates an acoustic sound similar to that of a kalimba. These signals can be manipulated via onboard effects and sequenced like a traditional synthesizer. Here's a video of the synth in action.
