The Non-Violence Project has spent more than thirty years demonstrating that creative expression can shape how young people see themselves, their communities, and their ability to make change. This workshop extends that work into a public, collaborative setting, inviting students to engage directly with a global symbol and contribute their own perspective.
I tried to create a private world in which my own, invented organisms evolved and developed like a personal flora and fauna from my imagination. Somehow they obeyed biological rules and grew and metamorphosed as if they were real.
Craft is often defined as skill in making things by hand, but this interpretation is being challenged by AI. Craft transcends physical interaction; historical figures like Mozart and Beethoven exemplify mastery without traditional methods.
Cemeteries are spaces where ritual and reflection converge, where commemorations of life co-exist with contemplations of human mortality. Jean Shin's installations question how these elements mark cycles of time.
This is just one item in a display that looks at how wood can be turned into all sorts of things that don't look or feel like wood at all. It's all because wood is a renewable resource and could be a viable replacement for plastics and other oil-based materials.
Baqiao bridges, including the nearby Shisanba Bridge, typically appear in areas where the difference between river level and embankment is relatively small. Their upstream piers are shaped like tapered spindles with slightly raised tips, creating a distinctive structural profile. Stone slabs span between the piers, forming a bridge deck assembled through interlocking construction methods.
Tons upon tons of these single-use plastics end up in landfills or even floating in the ocean. Spanish design firm PET Lamp set out give another purpose to these otherwise short-lived materials. Partnering with artisans in communities from Chile to Ethiopia to Australia, the company celebrates both Indigeneity and sustainability, drawing upon time-honored global craft traditions while supporting local economies and recycling discarded materials.
The bodhisattva motif is a popular one in East Asian art and represents an enlightened being who has deferred their entrance into nirvana to instead guide others toward redemption and deliverance. The bodhisattva form is often identifiable through its opulent adornment and serene and contemplative posture, frequently shown with a hand touching their temple as a sign of meditation.
Drawing Architecture Studio presents The Clock House No.2 at the 7th Shenzhen Bay Public Art Season in Shenzhen, Guangdong Province, China, on view until April 19th, 2026. Commissioned for the public art program, the Beijing-based practice reinterprets the historical automaton clock as architecture, using low-cost industrial components to construct a structure that chimes and glows every fifteen minutes. Where the clocks once gifted to emperors represented technical virtuosity and expensive craftsmanship, this installation adopts a deliberately rough and economical construction.
SO KOIZUMI DESIGN has developed Resonique, a ladder that explores the relationship between functional structure and sculptural form. The project draws on the structural logic of ladders while referencing the flowing geometries associated with brass musical instruments. Through this combination, the object shifts from a purely utilitarian tool toward a design piece that engages both function and spatial presence.
The project is structured around a single continuous hanging rail that extends for nearly 100 meters, serving as both the primary display system and the organizing element of the space. In response to the constraints of the site, the design reconsiders the hanging rail as a spatial device rather than a fixed retail fixture. The rail adapts to existing walls, columns, and building services, bending, rising, and shifting in section as needed to navigate obstacles.
