Odeal's music sits loosely within R&B, also drawing on Afrobeats, neo-soul and contemporary pop. Across his catalogue, love is rarely conclusive. Instead, songs live in emotional grey areas.
David Bellion spent over a decade in top-flight football, playing for clubs like Manchester United and Sunderland, before becoming Red Star FC's creative director, focusing on brand development and cultural connections.
In recent years, he's evolved into an emissary of Florida hip-hop and a rap star at the nexus of niche underground fame and household ubiquity, able to stunt on blockbuster movie soundtracks one minute and do pop-ups at Chinatown arcades with no security the next.
Earl has spent the past decade or so immersing himself in New York's underground rap scene, resulting in one of the most unique and unpredictable discographies of his generation.
The bizarre, multilingual stories that emerged match the French duo's ramshackle, home-recorded sound, which features everything from toybox percussion to farmyard sound effects. Their whimsical approach is anchored in the outsider pop and post-punk of 1980s Europe, which embraced discordant instrumentation and disaffected vocals.
Done it twice now they think I'm insane. I'm a boss, so I always find my way, I'm that guy, the boss of the UK. The wanted criminal, whose music video is seemingly recorded while he is sitting in the back of a car and holding an inflated balloon, boasts about his ability to evade capture and his status as a criminal figure.
In §46, Kant defines genius as "the inborn predisposition of the mind through which nature gives the rule to art" (5:307). Because beautiful art cannot be created according to fixed rules, the artistic genius is a kind of channel for the way beauty appears spontaneously in nature. (My slideshow includes Angelus Silesius's "Die Rose" on this point: "The rose is without why.") For Kant, genius has a talent that cannot be learned or taught, and it cannot give an account of itself.
Rockie does kinda feel like the album Donna Hayward would make if she could pursue her musical ambitions: She'd be influenced by Julee Cruise, for sure, and probably Chromatics, and Sky Ferreira, and what could be more Badalamentian than the cloudburst of synth that opens "On Our Knees"?
GO SCREAM AT THEE PARKSIDE, SLATED TO CLOSE IN MARCH Frank's Place was the business located at 1600 17th St in San Francisco before Thee Parkside took over sometime in 2002. The previous occupant was a modest lunch counter that served sandwiches to local shipyard workers. Who would have guessed that the punk rock venue that followed would serve a similar blue-collar function, providing a third space for local bands and entertainers?
Belleville has always been a little bit rowdy, whether it meant to be or not. Long before it was folded into Paris in 1860, it existed as its own working-class wine village perched on a hill, slightly removed from the city both geographically and ideologically. In recent years, as Paris's 10th and 11th arrondissements have slid fully into hipster territory, and even the gritty Barbès neighborhood feels increasingly polished, Belleville has held onto its identity with surprising resolve.
to goon-the act of masturbating alone for hours or days on end-is to search for ultimate euphoria through a mythologized trance-like state. For some, it is a way of life. This lifestyle is at the center of 2charm's restless and escapist debut record, star scum city.
If you've walked around any of France's cosmopolitan cities in recent years, you're sure to have come across some stunning murals. Painted onto the side of buildings, in hidden corners, and just about anywhere an artist can paint, street art is booming. We're not talking old-school graffiti here, hastily sprayed names on walls, and anti-social stuff like that. Today's street art is commissioned by city or town councils and created by prominent street artists from around the globe says Suzanne Pearson.
The gift of skaiwater's best music is its unique shape, blown-out underground rap styles carefully folded into delicate origami. Forget every preconceived notion you might have about 'rage rap' and put on 'rain'-it's so pretty, a butterfly fluttering around a bomb site. On that album, skai harnessed beat drops like wrecking balls crashing into the walls of their heart.
Rap music has long been framed as a genre of excess: too loud, too violent, too vulgar. From its beginnings, it has been associated with anger, confrontation, and a form of hypermasculinity that leaves little room for alternative expressions. In France especially, rap has often been perceived as the voice of male youth from working-class neighborhoods, carrying narratives of struggle, rivalry, and domination.
"Many found the music offensive, the dancing objectionable, and the popularity of both with young people verging on a mental health crisis." So writes music historian Susan C. Cook about ragtime, the heavily syncopated ancestor of jazz that arose in the late 1800s. Like all things, ragtime's subversiveness faded over time, and, a century later, the works of Scott Joplin and other practitioners had been relegated to carnivals and fairs, their jaunty piano melodies now evoking quaint notions of old-timey fun.
Central Cee has shared a new song "Iceman Freestyle" along with a music video. Directed by Don Prod, the clip tracks the British rapper driving an old Aston Martin, drinks whiskey, and literally digging his own grave. Watch it below. "Iceman Freestyle" is the second solo single Central Cee has released following 2025's Can't Rush Greatness, his debut album on Columbia. The rapper also linked up for a few collaborations last year, including Drake's " Which One " and Sexyy Red's "Guilt Trippin."
What does Comic Sans sound like? What does it feel like? And is it actually kinda good? These were the questions ever-present in the minds of early PC Music acts like Kero Kero Bonito's Gus Bonito, who, to this day, performs DJ sets in front of a strobing projection of his moniker Kane West in the notorious font.
Chances are, if the Atlanta rapper sounds like they have a loogie stuck in their throat, I'll probably like them. B5 and Zeeball? Yep-"Heist" might be the biggest omission from our Best Rap Songs of 2025 list. Rroxket? I still listen to his zooted-out regularly. Before I get carried away, let's add Bby Kell to that list. Her new tape, Straight Pop, is cool as hell-it reminds me of Glokk40Spaz back when his bread and butter was belligerent dark plugg.