#autofocus--burst-shooting

#autofocus--burst-shooting

The small, lightweight, inexpensive camcorder was a great liberator for filmmaking. Not only did it mark a significant leap in accessibility, it also made it easier for filmmakers to achieve the kind of raw, immediate visual language that had been established by directors like Spike Jonze in Video Days (1991).

In recent years, smartphone photography has become increasingly dominated by software. Computational imaging, AI processing, and post-capture optimisation now play a central role in how images are produced. Yet as these techniques become more widespread, camera hardware is once again emerging as a key differentiator. The REDMI Note 15 Pro 5G Series reflects this shift clearly, placing renewed emphasis on sensor capability and optical fundamentals rather than relying solely on software to define image quality.

Younger folks are snapping up old point-and-shoots because they view the aesthetic as more authentic and more appealing than smartphone images. Companies are even rereleasing old tech at new prices. And there are cameras like the original Camp Snap: a $70 single-button point-and-shoot with no screen, designed as a modern take on a disposable film camera. It's cheap enough to send off with a kid to summer camp and accessible enough for just about anyone to enjoy its lo-fi aesthetic.

Samsung's Galaxy S20 Ultra wasn't the first phone to feature a periscopic telephoto lens - both Huawei and Oppo beat the Korean company to it - but it was the first in the US to make such a big deal about it. Almost all of Samsung's marketing for the S20 Ultra centered on its so-called Space Zoom, its 5x optical folded periscope lens, capable of digitally zooming much further.

If it's speed you want for sports or action shots of your kids, models like Canon's R50 can shoot bursts as fast as many high-end cameras. Creators, meanwhile, can choose Sony's ZV-E10 for vlogging jobs. There are also great, and cheap, models in the action and gimbal camera categories.

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This update includes the next iteration of the app's much-discussed Process Zero mode, adding HDR and ProRAW support to what is intended to be a hands-off, anti-computational image processing method. There's a new black-and-white film simulation that also supports HDR, and more new "Looks" to come. This is my semi-regular cue to remind you that HDR is not a dirty word. We tend to associate the term with an over-processed look when high-contrast scenes are translated to an SDR display.

Canon released its first PowerShot camera back in 1996 with a 0.5-megapixel sensor, helping kickstart the digital photo revolution. To celebrate that 30-year anniversary, the company has unveiled a Limited Edition version of its still-popular PowerShot G7 X III compact camera. It has a few unique touches but is otherwise the same as the original model released nearly seven years ago.

The new camera features, on the other hand, are neither of those things. They're something worse. Something scarier. On this episode of The Vergecast, Nilay and David discuss the new phones, then dive into the ways in which the S26's AI camera features seem to be clearly designed to change the whole idea of what happens when you try to take a picture.

For millions of people, the ability to share a fresh photo wirelessly - Facebook, Twitter, e-mail, text message - is so tempting, they're willing to sacrifice a lot of real-camera goodness. That's an awfully big convenience/photo-quality swap. A real camera teems with compelling features that most phones lack: optical zoom, big sensor, image stabilization, removable memory cards, removable batteries and decent ergonomics. (A four-inch, featureless glass slab is not exactly optimally shaped for a hand-held photographic instrument.)