Glass demands immediacy. Working at temperatures above 2,000°F leaves little room for overthinking, so the process becomes a kind of live dialogue between material, colour and chance. That same immediacy informs what I'm drawn to as a collector: works that carry a decisive gesture, a tactile presence, and the feeling that they could only exist in one form.
The most recent final resting place for 91 members of the family is Berlin Cathedral's crypt, which opens to the public this weekend after a €29m, six-year renovation. Sonja Tubbesing, the cathedral official responsible, describes it as the church's biggest building project since its post-war reconstruction.