#antipatreaberat-history

#antipatreaberat-history

It started with a book launch in 2021. I'd been living in London as a social media journalist when I asked my then-publication's culture editor to send me to one of these exclusive-sounding events, as 1) I'd never been and 2) I just really wanted to be a person who "has a book launch to go to." Thankfully, there was one that exact day-and he put my name on the list for the release of Mary Beard's Emperor of Rome. Huzzah.

An ancient Egyptian papyrus held by the British Museum has been cited as possible evidence supporting some of the Bible's most controversial claims about giants. The 3,300-year-old document, known as Anastasi I, has been in the museum's collection since 1839 and has recently resurfaced on the Associates for Biblical Research, renewing interest in its possible links to biblical accounts. The papyrus describes encounters with the Shosu people, said to stand 'four cubits or five cubits' tall, up to eight feet in height.

While the bone was worn and poorly preserved, archaeologists managed to identify its origin by comparing it with modern elephant and mammoth bones. Despite there not being enough DNA to confirm the exact species, the researchers were able to carbon date a tiny sample of the bone. This places the elephant's death between the late fourth and early third centuries BC - right in the middle of the Second Punic War.

It is approximately 10 by 13 feet in dimension and features two main sections consisting of a central hexagonal panel bordered on each side with five square panels and one rectangle. The space between the squares is filled with triangular panels. Each panel contains different geometric and abstract botanical designs. The hexagonal panel in the center contains a Solomon's Knot (two interlocked ovals). The square panels contain flowers with four pointed petals. The triangular panels contain small solid triangles.

A conversation with Alicia Walker on the pseudo-Arabic inscriptions (or pseudo-kufic) that appear on a number of tenth- and eleventh-century churches in Greece, most notably at the monastery of Hosios Loukas. What did the Arabic script signify in Orthodox culture at the time if not tension with Islam? Alicia Walker is Professor of History of Art at Bryn Mawr College.

The team identified multiple buildings aligned roughly west-east, in several sizes, ranging from about 8 × 7 metres to 14 × 8 metres. Within these structures are rectangular halls-some interpreted as spaces for worship-alongside smaller rooms that may have served devotional or practical functions for the monks. Excavators also noted evidence of plastered wall surfaces and tiled floors, as well as architectural features such as entrances and surviving supports, including beams.