#akie-iwai

#akie-iwai

"We met with linen and wool weavers and were blown away by the exceptional quality and beauty of the cloth they produced, as well as the depth of [textile] history in Ireland. We were in equal measure concerned by the decline in the number of weavers. They mentioned that they were losing out to cheaper cloth from abroad and that Irish buyers were few and far between."

Visualizing my inner self through expressions and gestures full of charm and humor has also become an opportunity to deepen my self-love.

The S100X Urushi Edition, also known as The Special One, is a limited edition desktop calculator designed using a century-old Japanese Urushi lacquer technique.

The HOUYOU lamp doesn't announce itself. It sits on a table, conical and quiet, wrapped in fibrous brown bark that looks almost raw, almost unfinished.

I have virtually no idea what the finished piece will look like until I actually begin working with the wood. As a result, the form often emerges as I carve, and I frequently change my plans midway through the process. Naturally, I keep the many failures a secret.

Kintsugi 金継ぎ is known as the Japanese art of putting broken things back together, like broken pottery, using materials mixed with powdered gold and other elements. Instead of hiding damage, this technique celebrates the restoration of an object once viewed as broken, flawed, or imperfect. This same process can be seen as a metaphor for addiction recovery. Even for people with addiction who willingly choose recovery, there's an element of being remade that can't be ignored. Addicts often go through a period of denial.

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Traveller check into hotels for easy access to historical Mayan sites and the cenotes beyond, with ambles through colourful squares and late, balmy nights digesting feasts over tequila tipples. Between cultural excursions and natural wonders, however, there's much to be said for the artisans in these parts. From crafted perfumes to handmade chocolates, these are the gifts and trinkets to make space for in your luggage.

Haruka Kojin (artist), Kenji Minamigawa (director), and Hirofumi Masui (production manager) are the founding trio of 目[mé] (which means "eye" in Japanese). Their approach? "To create works that allow us to relive the 'world as it is' that constantly unfolds before our eyes," they explain on their website. This rather mysterious intention has nonetheless led the Japanese collective, created in 2013, to exhibit at the Japan Society in New York and the Centre Pompidou-Metz, which have presented several of their installations. Japanese private homes seem to be a favorite disruptive space for the artists, who have previously integrated an extremely minimalist art gallery into a dilapidated house on another Japanese island in 2020. Other notable works include giant inflatable faces installed above natural landscapes and the recreation of monumental waves.

SO KOIZUMI DESIGN has developed Resonique, a ladder that explores the relationship between functional structure and sculptural form. The project draws on the structural logic of ladders while referencing the flowing geometries associated with brass musical instruments. Through this combination, the object shifts from a purely utilitarian tool toward a design piece that engages both function and spatial presence.

I grew up visiting this house. It originally belonged to my grandfather's older sister, and whenever I traveled down from Iwate, the northern prefecture in Japan where I grew up, this was where the family gathered. Later, I worked as a rehabilitation consultant at hospitals in Osaka and Yokohama. I moved, but this place was always in the back of my mind.

Japanese design has spent centuries perfecting the balance between restraint and richness. These seven gifts embody that philosophy, where every material choice and geometric decision carries intention. From transparent polycarbonate that frames music like sculpture to hand-planted bristles that honor century-old brush-making techniques, each piece reflects the considered craftsmanship that typically commands luxury prices. The precision is palpable, the materials exceptional, yet the cost remains accessible.

Designed by Michael Kritzer, an industrial designer with Red Dot, iF, and Cannes Lions awards to his name, Dollights are inspired by creative Kokeshi dolls, those beautifully varied Japanese wooden figures that range from traditional to wildly expressive. The connection isn't literal. You won't mistake these for dolls on a shelf. But the DNA is there in the proportions, that satisfying relationship between a rounded head and a tapered body, the way each silhouette feels like it has its own quiet personality.

The Irish government will give 2,000 artists unrestricted weekly stipends in a program officials described as a "recognition, at government level, of the important role of the arts in Irish society." After a successful three-year pilot, the Irish government made its basic income program for artists permanent. Similar pilots have been launched here in the United States, but they're supported primarily by the nonprofit sector.

It is not about reproducing the past but about engaging in dialogue with it. We apply the same level of care and rigor to all pieces. Many of our utilitarian pieces have a strong sculptural quality, and several of the more artistic works originate from everyday forms and functions. We do not establish rigid boundaries between these categories; all are part of the same vision.