"It is fascinating to know that what you say will be taken seriously. We always worked really hard to make sure they were what we call a 'fair hit.' It only felt like it would work if it was based in something that was true."
The show, which traced the depths into which two Angelenos descend after a road-rage incident, reintroduced Ali Wong as a dramatic lead, gave Steven Yeun a chance to go darkly comic, and shined a rare light on the issue of Asian American mental health.
The script is so blunderingly crude, so sluggish in its attempts at emotional depth, and so mean-spirited in its approach that it leaves viewers feeling deflated.
Kanye West sold out Inglewood, California's SoFi Center and took in a reported $33 million less than a year since he released a song called 'Heil Hitler.' West's apology for his antisemitism was evidently enough for his LA fans, and no doubt some went because of the antisemitism.
Many of these posters are the only surviving proof of certain shows, with no recordings of plays, and certain films, having been lost over time. They offer a history of Black Americans trying to counter harmful stereotypes and provide vital and humanizing contributions to a growing Black culture.
In the late '80s and early '90s, a group of five African American men - all famous comedians - created a body of work that shifted popular culture, altered the entertainment industry and impacted generations to come. He cites the works of vaudeville-era comedians Bert Williams and George Walker as early examples of the craft. He adds that pioneering African American playwright William Wells Brown and even famed abolitionist Frederick Douglass used comedy to critique white power structures.
Navigating an industry dominated by white, cisgender, heterosexual men takes a lot of courage, thankfully, Kemah Bob is brimming with it. In 2018, she founded The Femmes of Colour Comedy Club, better known as FOC, with the aim of giving women and trans comedians the tools to take over the comedy world. The American comedian, who uses she/they pronouns, has appeared on Richard Osman's House of Games and BBC's QI. Her comedic skill is undeniable,
Readers who saw my previous post will recall its focus on a recurring pattern of laughter and humor found during my deep dive into the humor of the Seinfeld series. I wondered why we tend to laugh at various things going into our bodies and tried to explain why we might be so inclined using the Mutual Vulnerability Theory of Laughter.
He had already picked on me several times for laughing too loud, too readily (that wasn't even a joke, he chastised me at one point). I was trying hard to suppress my laughter to hold it in, to hold it back, to not fully express the joy I was feeling. I was being somewhat successful. And then I wasn't. Everyone in the audience was laughing but I was laughing too much.