The final show I review below got me looks that made me feel like a fish in a bowl. First, the private security at the door had two Valiant rent-a-cops who scowling at me-and only me-with that same 'Give me an excuse!' glare I've gotten from real cops all my life.
I started in stand-up because it felt like the most direct way to connect with people. There's no filter. You go on stage, and you find out very quickly if something works. That shaped everything for me. It forced me to be honest. If you're not honest, the audience knows. That idea still drives how I work today.
The thing is an almost-four-hour-long continuous explosion - actors dancing, grappling, and hurling furniture; the director present onstage ripping pieces out of the set; paint and blood and flowers and feathers everywhere.
Here, a central character hides behind so many layers of deceit, he almost believes his own version of the truth while his wife refuses to believe their son died in the war. The pitfalls of capitalism and the hollowness of the American Dream certainly resonate today as they did after World War II.
The concept of the BANI World was proposed by Jamais Cascio in 2018 and further refined in 2020 to describe four major characteristics of future society: Brittle, Anxious, Nonlinear, and Incomprehensible. Compared to the previous VUCA ( Volatility, Uncertainty, Complexity, and A mbiguity) World, the BANI World more accurately depicts the increasingly complex and volatile global situation and trends. "Brittle" refers to social systems being more susceptible to shocks and damage, often accompanied by the risk of sudden collapse.
To be a genius requires extraordinary intellect and talent, but also hard work and persistence. And although the mythology of genius can be problematic because it reduces the collective work that goes into developing scientific breakthroughs to extraordinary individual accomplishments, portrayals of genius in film and literature succeed in dazzling popular audiences.
Readers who saw my previous post will recall its focus on a recurring pattern of laughter and humor found during my deep dive into the humor of the Seinfeld series. I wondered why we tend to laugh at various things going into our bodies and tried to explain why we might be so inclined using the Mutual Vulnerability Theory of Laughter.
Worries, fears, hang-ups, and desires are translated through highly skilled puppetry, as interview scenes cast puppet couples talking about their sex lives. Written by Mark Down of Blind Summit, a cohort of exceptional makers and puppeteers expanding the definition of a puppet, this collaboration with the UK's National Survey of Sexual Attitudes and Lifestyles pulls from real-life conversations to get puppets talking dirty.
Spalding Gray used to perform a show called Interviewing the Audience. The celebrated monologist would invite a stranger he had met in the lobby to join him on stage. Through a sequence of innocuous questions, he would get them to open up about their lives. At one performance, a guest broke the audience's hearts by talking about her daughter's murder. At benefit nights, people living with HIV shared their tales. Other times, the anecdotes would be eccentric or amusing.
[The scene is] a lot calmer in the movie than my audition was," she told the Los Angeles Times in November 2025. "But I was so happy that I got a self-tape versus an in-person thing. You can make it entirely your own - you can really make it look like how you feel like it would look. If you want somebody to pay attention to your tape, make sure that you stand out and take a risk.
In fact, I've made a conscious habit of seeking out successful individuals so I can learn from their experiences. But the man often nicknamed the "King of the Hollywood Blockbuster" continues to elude me. And yet, despite never meeting face to face, Spielberg taught me one of the most important lessons of my entire career. It's a lesson I've learned through engaging with his work.
