On Holy Saturday, as Palestinian Christians tried to reach the Church of the Holy Sepulchre, Israeli security forces started attacking and arresting them, demonstrating a clear violation of religious freedoms.
Pastor Josh Howerton, leading Lakepointe Church, stated, 'The gospels tell us Jesus was taken outside the city walls to be crucified. This fits. It's within walking distance.' He emphasized the geographical context of the crucifixion.
"[The project] has finally restored the perception of the monument's original size and floor level," architect Stefano Boeri said in a statement. "It also offers the public the opportunity to approach its walls and imagine the rhythm and sequence of the ambulatories and arches, now lost. It's a respectful and useful project that completes research carried out by the archaeologists of the Colosseum Archaeological Park."
The designation prohibits the sites from being targeted or used for military purposes, with violations potentially constituting serious breaches of the 1954 Hague Convention and grounds for criminal responsibility.
The Rio-Antirrio Bridge, with its triangular sections resembling giant sails, is the world's longest multi-span cable-stayed bridge, spanning 2,880 meters across the Rion Strait. Completed in 2004, it transformed travel between the Peloponnese and mainland Greece, reducing ferry crossing times significantly. The views from the bridge are breathtaking, offering glimpses of the indigo waters and majestic mountain ranges.
Berat is a UNESCO World Heritage Site because of its unique historic downtown characterized by 18th and 19th century Ottoman structures and urban design, but human presence in the area goes back to the 4th/3rd millennium B.C. and there is evidence of an urban settlement in Berat defined by defensive walls dating to the 7th-6th century B.C.
'The challenge of the design was to find a way to allow the architecture to mediate between a charged landscape and the sacred narratives that arose within it. It demanded a building that could work with allegory,' share the architects. 'At the same time, the project needed to use local labor, skills, and resources to achieve something with a sense of social responsibility and low carbon expenditure.'
A US-led research team has verified the first Mediterranean mass grave of the world's earliest recorded pandemic, providing stark new details about the plague of Justinian that killed millions of people in the Byzantine empire between the sixth and eighth centuries. The findings, published in February's Journal of Archaeological Science, offer what researchers say is a rare empirical window into the mobility, urban life and vulnerability of citizens affected by the pestilence.
Seven were the strings of the lyre (unless there happened to be eight or nine), seven were the gates of Thebes, and seven were the "wandering stars" in the night sky (if you count the sun and moon). The identity of the wonders was less important than the length of their list, and indeed, additions and changes were proposed since the beginning.
Designed by the celebrated mannerist architect Giacomo Barozzi da Vignola, construction of the first sections of the late Renaissance Palazzo Borghese began in the 1560s. The Palazzo was among Vignola's many other important projects (he became the principal architect for St. Peter's Basilica following Michelangelo's death). It was later expanded by Cardinal Camillo Borghese, who bought it in 1596 (in 1605, he was named Pope Paul V).
The Byzantine-era church lies half hidden in the shade. Roman columns rise from among the olive trees, even older ruins linked to Israelite kings are overgrown. To the west, the Mediterranean is just visible on the horizon. To the north and south are the hills of the occupied West Bank. In the small town of Sebastia, a hundred metres or less east of the ruins, everyone is very worried.
A conversation with Alicia Walker on the pseudo-Arabic inscriptions (or pseudo-kufic) that appear on a number of tenth- and eleventh-century churches in Greece, most notably at the monastery of Hosios Loukas. What did the Arabic script signify in Orthodox culture at the time if not tension with Islam? Alicia Walker is Professor of History of Art at Bryn Mawr College.
The remains of a monumental hall belonging to a 4th-century episcopal palace have been discovered at Ostia Antica, Rome's ancient port town. The base of the structure is eight by 20 meters (ca. 26 by 65 feet) and the walls were an estimated eight meters high. This is an extraordinarily large space, and it was richly decorated with mosaic floors and marble panels.
The team identified multiple buildings aligned roughly west-east, in several sizes, ranging from about 8 × 7 metres to 14 × 8 metres. Within these structures are rectangular halls-some interpreted as spaces for worship-alongside smaller rooms that may have served devotional or practical functions for the monks. Excavators also noted evidence of plastered wall surfaces and tiled floors, as well as architectural features such as entrances and surviving supports, including beams.
An intact mosaic from Late Antiquity discovered during restoration of a historic municipal building in Istanbul is now a floor again, covered in plexiglass and welcoming visitors to the new Zeytinburnu Mosaic Museum. Visitors of Turkey's newest museum move across elevated glass walkways, suspended right above the original floors themselves. The mosaics are not relocated fragments mounted on walls, but surfaces that remain exactly where they were first laid, preserving their context for all to see.
While the bone was worn and poorly preserved, archaeologists managed to identify its origin by comparing it with modern elephant and mammoth bones. Despite there not being enough DNA to confirm the exact species, the researchers were able to carbon date a tiny sample of the bone. This places the elephant's death between the late fourth and early third centuries BC - right in the middle of the Second Punic War.
Two exceptionally rare and beautifully carved Mithraic altars found in Inveresk, East Lothian, Scotland, are going on display for the first time. They are not just the only Roman altars ever found in Scotland, but are among the finest examples of Roman sculpture in Roman Britain. They are also uniquely early in date, having been made in 140s A.D. during Antoninus Pius' reoccupation of southern Scotland, whereas most other archaeological materials related to the worship of Mithras in Britannia date to the 3rd century.
