#53k60fps-video

#53k60fps-video

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

VOID stands for Video Object and Interaction Deletion. It's a VLM (vision-language model) that can not only erase objects from a scene but can also inpaint how remaining objects in the scene should behave without the influence of whatever was excised.

The Avata 360 comes with different lenses that you can use, of which one is the 360-degree lens with 1-inch equivalent sensors. This can also take 120MP photos.

ML-based frame generation tech is coming to PlayStation platforms, allowing the console to use AI to imagine new frames between the ones it's rendering, creating smoother perceived image quality while typically introducing some amount of lag.

As audiences increasingly gravitate towards content tailored for mobile devices, the adaptation of traditional storytelling methods to fit vertical formats feels like a natural progression. Vurt sees its platform as a solution that aligns with this future. The success of "micro-drama" platforms like ReelShort and DramaBox has proven that there is a sizable market eager for engaging, bite-sized content.

Harlowe, a company known for lighting accessories that cater to influencers and amateurs, has released a $95 alternative called the Omni 360 that evenly illuminates with a diffused soft glow in all directions. The Omni 360's 2W of light output can be boosted to up to 4W as needed but neither mode is quite bright enough to fully illuminate a dark environment.

Upload any picture or video, and Musubi uses artificial intelligence to extract the most important part and hover it in space as a 3D image within the frame. That could be a video of a child's first steps or a snapshot of a birthday party. The image will be displayed in 3D form, viewable in all its holographic glory across nearly 170 degrees.

We are evolving our operating model to strengthen accountability, deepen technical specialization, and ensure we are positioned for long term success. Paramount is changing the internal structure of key engineering groups for its streaming services, with the goal of improving user experience and facilitating AI enablement and automated testing.

Publishers' adoption of generative AI is reducing the friction between content and format, making it easier for the same story to appear as shorter summaries, audio, or video, often in real time. To some publishers, a text article may soon be more of a vehicle for original reporting, not a final product. That information could become no longer available strictly in a static piece of content, but transformed into different shapes and formats, based on a reader's signals and preferences.

With its ProArt lineup, ASUS has commendably addressed a glaring hole in the PC market by targeting video editors and other creative pros. Its latest model even uses a popular camera marque in its name: the ProArt GoPro Edition PX13. It's a true co-branding exercise, with GoPro-like styling, a dedicated GoPro hotkey, mil-spec durability for extreme outdoor users and 12 months of GoPro's Cloud Plus Premium.

Dolby Vision 2 is Dolby's next-generation image engine that the company announced in September. The new standard will do several things to improve picture quality on your TV, including content recognition that optimizes your TV based on what and where you're watching. This first element will improve scenes that many viewers complain are too dark, compensate for ambient lighting and apply motion adjustments for live sports and gaming.

On YouTube, The Rest is History podcast draws roughly around 500,000 viewers, who stick around for an average of about 48 minutes. That's close to the length of a traditional hour-long show and even longer than the podcast's strong audio average of around 40 minutes.. For the production team, seeing that level of engagement, especially on TV screens, was a turning point. People weren't just listening along to podcasts. They're settling in to watch now too.

Global media and entertainment revenues reached $1.1 trillion in 2025, up from $1.03 trillion in 2024, representing $70 billion in annual growth, according to Omdia. Of that increase, $64 billion came from online video, with $42 billion driven by advertising. Omdia forecasts the market will expand further in 2026, reaching $1.2 trillion.

When professionals talk about how to remove background noise from video, they are really talking about improving the audio track of a video so the speaker's voice is clearer, more consistent, and easier to understand. Background noise refers to any unwanted sound that competes with the main voice, like air conditioning hum, office chatter, keyboard typing, traffic, or the low hiss created by recording equipment and compression. In video production, background noise removal is about reducing distractions so the listener can focus on the message.

In theory, movies are more accessible than ever before. You are literally reading this on a device that likely has access to a dozen or more streaming video apps and stores, like Netflix, Disney+, Amazon Prime, Tubi, and Hulu. And yet, in reality, things are dire. Movies can be pulled instantly from a service, bad versions can be uploaded and replace what existed before, and trying to manage multiple apps is expensive and annoying. It all sucks so much.

Albert Cheng, who heads the AI Studios initiative, emphasized that the goal is to support creative teams, not to replace them. The focus is on improving efficiency and reducing costs while ensuring that intellectual property is protected and AI-generated content isn't absorbed into other AI models. One example used is Amazon's "House of David" series, which featured 350 AI-generated shots in season two.

Following the strong early traction of vibes in Meta AI, we are testing a standalone app to build on that momentum. We've seen that users are increasingly leaning into the format to create, discover and share AI generated video with friends. This standalone app provides a dedicated home for that experience, offering people a more focused and immersive environment.

Through the tiny window of short clips on Instagram and TikTok, Mary's world seems enchanting and vast. Bree's work exudes melancholic emotion and ethereal femininity, painting the surfaces of Mary's world in the vibrating style of stop-motion animation, dappled with sparkling light and computer-generated surfaces so convincing it feels like you could pose the model with your own hands. O'Donnell sat down with us to talk a bit about her process creating textures and her life's work making magic real.

Insta360 has introduced two AI-powered 4K webcams, the Insta360 Link 2 Pro and Insta360 Link 2C Pro. The new models aim to narrow the gap between basic webcams and professional camera and microphone setups by offering improved video quality, enhanced audio capture, and smarter software tools. The Link 2 Pro has received a 2026 CES Picks Award in the TWICE category. Both webcams are built for desktop use and are said to be aimed at professionals, educators, and content creators seeking reliable performance.

Martin Bochatay is the drone cam pilot for the money shots inside the iconic Tofana schuss, the narrow chute between two walls of Dolomite rock. He is part of a team in control of the buzzing machines that are flying right behind Olympians as they go for gold at the Milan Cortina Games, offering stunning and high-pace visuals to TV viewers back home.

SmallRig's origin story remains grounded in practical workflows. The company, unlike any traditional manufacturer mapping out product categories in advance, entered the ecosystem almost reactively, responding to specific modification requests from filmmakers who encounter difficulties in finding solutions elsewhere. Over time, that reactive posture transformed into structure. Today, SmallRig speaks openly about its "Shadow R&D" network, a community of more than 15,000 vetted creators who co-develop, test, refine, and sometimes originate product concepts.