#1960s-culture

#1960s-culture

So I've seen generations change, and Gen Z is the generation that's most similar to my generation, the sixties. They're very value-driven. They're concerned with climate, they're concerned with authenticity, truth, being who they are, and relationships.

A special 50th anniversary Punk Rock history event at The New Farm featuring bands and musicians from the dawn of the punk rock revolution of San Francisco. NO ALTERNATIVE, SLEEPERS AD, SOCIETY DOG plus AVENGERS guitar player GREG INGRAHAM performing with JEAN CAFFEINE, THE DEAD SAILOR GIRLS & INSECT LOUNGE.

Beleaguered Louvre president Laurence des Cars quits after a historic heist under her watch. The next morning, a new leader is announced. It's Christophe Leribault from the Palace of Versailles, a true museum animal who ran a few during his career.

1. Soda and beer cans that came with pull tabs:

"I'll Follow the Sun" is "a 'Leaving of Liverpool' song," McCartney explained in his 2021 book The Lyrics. "I'm leaving this rainy northern town for someplace where more is happening." Once they did leave, the band's rise to fame was stratospheric.

Several years ago, Michael Pollan had a disturbing encounter. The relentlessly curious journalist and author was at a conference on plant behaviour in Vancouver. There, he'd learned that when plants are damaged, they produce an anaesthetising chemical, ethylene. Was this a form of self-soothing, like the release of endorphins after an injury in humans? He asked Frantisek Baluska, a cell biologist, if it meant that plants might feel pain. Baluska paused, before answering: Yes, they should feel pain.

The smell of vinyl seats baking in the summer sun, the crackle of AM radio cutting through static, and dad's off-key humming as the family station wagon rolled down another endless stretch of motorway. If you grew up in the 60s or 70s, these sensory memories probably just transported you back to childhood road trips that seemed to last forever. Those journeys weren't just about getting from A to B. They were rolling classrooms where we learned geography from road signs,

He sings the names of the dead haltingly, as though he is reading them off a screen-which, judging from the recording-studio footage in the song's lyric video, he probably is. The song is about the news, but it is also, perhaps unintentionally, about the moment of lag when we absorb the names and images, when we try to assimilate atrocity into narrative.

"When I read the fine print, it was 'an experience with REO Speedwagon's music.' It's none of the original members," Fletcher recalls. "I don't want to promote the show unless it's the real thing. I don't know why you would want to see that. It's just a cover band. To me, that's a little bit strange." He adds, with a sigh, "If there are no original members, who cares?"