#14th-century-england

#14th-century-england

Tropes were additions inserted into established Gregorian chants. They could include new words, new melodies, or a combination of both, expanding the original liturgical piece and sometimes offering additional theological or rhetorical commentary. In many cases, tropes circulated long before they were recorded in writing. Their melodies and texts were transmitted orally for centuries before being preserved in medieval manuscripts, creating a complex web of regional variants across Europe.

The Oxford Artisan Distillery (TOAD) produces its whiskey, gin, vodka and liqueur from heritage wheat and rye varieties rediscovered in the thatch of medieval roofs. It's an example of the extraordinary lengths the distillers go here to create their unique flavours while building a regenerative farming system along the way. Tour the distillery to find out all about the processes involved,

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

Imperial Roman ethnography was a gift the Romans made for themselves, because it embraced concepts with which they could address the great cultural diversity of their world. It was a gift that came from the conquerors, reflecting their supposition of preeminence. At the same time, Roman ethnography was a somewhat less welcome present for the many peoples who found themselves trapped in Rome's vision, needing to find a place within it that made sense to Roman demands.

Music and England's royal coronations are inextricable. Since the mid-eighteenth century, the coronations of the nation's monarchs have been elevated by the works of prominent composers, most notably the opulent coronation anthem, "Zadok the Priest." This piece, with its regal instrumentation that consists of orchestra-including timpani and brass-and choir, was one of four anthems written by the prolific and celebrated eighteenth-century composer George Frideric Handel (1685-1759) for King George II's coronation on October 11, 1727.

In this book of moons, I am writing for people for whom the medieval world and its literatures and arts may be unfamiliar. I hope that in telling the stories of medieval moons, I also introduce these readers to the wonderful, mesmerising realm of medieval texts and images. But I also hope that this book may be useful to those with greater familiarity with medieval languages, literatures, and arts.

This open-access book brings together more than thirty essays on languages and the ways they develop, interact, and influence one another. Its main focus is the Middle East, where Hebrew, Arabic, and Aramaic long existed side by side and often overlapped in everyday use, scholarship, and culture. In line with Geoffrey (Khan)'s commitment to the maximally accessible dissemination of research, this Festschrift has been published in both open-access digital editions and affordable printed formats.

In this volume, the authors aim to provide a truly global overview of the 14 century, with each region given approximately the same space. It is obviously impossible to cover every event in every country of the world in a single volume, just as you would not be able to visit every city in every country if you traveled around the world for a year.

We get started by exploring the origins of the Normans in the county and then duchy of Normandy. We will understand their Norse background and their relationship with the Carolingians. The timeline approach will help us discover all the counts and dukes of Normandy, and what they contributed to their realm. This will set the foundation for the interconnected stories that will lead us to England and the Mediterranean.

"Cnut: The North Sea King" by Ryan Lavelle is a short and engaging biography of the most ambitious and successful Scandinavian leader of the Viking Age. Lavelle captures both the brutality and pragmatism that allowed Cnut to govern England effectively for almost two decades, despite being an outsider and a foreign conqueror. In 1066 and All That (1930), a parody book of English history,

Seven Kings Must Die (2023) is a historical drama film based on Bernard Cornwell's novel Warlord (2020) and is a sequel to the TV series The Last Kingdom (2015-2022). Directed by Edward Bazalgette and produced by Carnival Films, it depicts the build-up to and the Battle of Brunanburh (937), in which King Aethelstan of England (reign 924-939) defeated an alliance of Scots and Vikings. Background & The Last Kingdom The film's protagonist is the fictional warrior and nobleman Uhtred of Bebbanburg (modern-day Bamburgh).

So, on Sunday 25th January, members of the reenactment society will converge on The Mall from all across the country, some arriving already dressed in buff coats and broad-brimmed hats, others changing into period clothing on arrival. There are pikes to be shouldered, muskets checked, and a few tentative practice swings as old drill is recalled, before the ranks are set and order restored.

The Assassins and the Knights Templar have become two of the most iconic groups of fighters from the period of the Crusades. In recent times, they have been popularised through the video game and movie franchise, Assassin's Creed. But who were they really and how did they interact in the Holy Land? It's an intriguing story that Dr Steve Tibble and Tony McMahon investigate in the first episode of their new podcast series, Talking Templars.

The slab, found in a York drain in the 19th century, has gone on display at a new exhibition marking the 800th anniversary of Saint William a forgotten, once adored martyr said to be responsible for that miracle and others. At the centre of the exhibition is a cutting-edge, digital recreation of an imposing shrine to William that once stood in York Minster's nave but was broken up and buried to protect it from the ravages of Henry VIII's reformation.

The Last Kingdom (2015-2022) is a historical fiction TV series based on Bernard Cornwell's The Saxon Stories novels and adapted for television by English screenwriter Stephen Butchard. With five seasons, the show began as a BBC production and was later acquired by Netflix. Filmed in Hungary and Wales, it is based on English history during the 9th and 10th centuries, as the Anglo-Saxon kingdoms fought against the invading Vikings.