"We had to get bigger and better. The first set was pretty contained and only suggested a larger space. The sets for the sequel are about eight times bigger compared to the original production."
"Miranda is the same character but not the same person. There's no more direct path for her. The assistant area has more of a friendly and warmer vibe—Miranda even hangs up her own coat!"
"We knew we wanted to keep the sight lines from her office out to the front because it's what the audience remembers. So while the geography is the same, these are different assistant characters."
The set design for The Devil Wears Prada 2 underwent significant changes to reflect the evolution of the magazine industry and character development. Production designer Jess Gonchor emphasized the need for a larger and more modern aesthetic, with sets constructed eight times bigger than the original. The storyline addresses the decline of the magazine industry, impacting Miranda Priestly's character. The assistant area has a warmer vibe, and while the geography remains similar, new assistant characters are tailored to fit the sequel's narrative.
Read at Architectural Digest
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