Episode 31 of This Is the Way: The Great Music Debate Mohists vs. Classical Confucians
Briefly

"Musicians and songs mentioned in Part I: U2, REM, Green Day, Everclear, Live, Taylor Swift, Hootie and the Blowfish, Notorious B.I.G., Blues Traveller Tim Kasher (of Cursive, and The Good Life) Bright Eyes Saddle Creek Records (music label) Cat Power, Metal Heart Gillian Welch, Wrecking Ball Screaming Females, Shake It Off (cover of a song by Taylor Swift) H.O.T. Drunken Tiger"
"Rachmaninoff, Tchaikovsky, Chopin Sonny Rollins, John Coltrane, Miles Davis John Denver, Take Me Home, Country Roads Whiplash (film about a drummer striving to emulate Buddy Rich) Mohism Confucianism Warring States period Mozi (c. 470-c. 391 BCE) Xunzi (3rd century BCE) Li Zehou (1930-2021) hermeneutics of suspicion vs. hermeneutics of faith The three standards (or three models, sanfa ) three success criteria for arguments in Mohism Hui-chieh LOY, Justification and Debate: Thoughts on Moist Moral Epistemology"
Musicians and songs span genres from U2, REM, Green Day, Taylor Swift, and Notorious B.I.G. to Bright Eyes, Cat Power, Gillian Welch, and Screaming Females. Classical and jazz names include Rachmaninoff, Tchaikovsky, Chopin, Sonny Rollins, John Coltrane, and Miles Davis, with cultural references such as John Denver's "Take Me Home, Country Roads" and the film Whiplash. Philosophical material references Mohism and Confucianism, the Warring States period, and thinkers Mozi, Xunzi, and Li Zehou. Hermeneutic themes contrast suspicion and faith, and the three standards (sanfa) outline success criteria for Mohist arguments, with engagement of Hui-chieh Loy's work on justification and debate.
Read at warpweftandway.com
Unable to calculate read time
[
|
]