"Śrī Gaṇapati Atharvaśīrṣa is a sacred text associated with the Atharva Veda and is often regarded as Upaniṣadic in nature. Unlike devotional hymns composed later in history, this text speaks the language of tattva, or ultimate reality. Here, Gaṇapati is not presented merely as a personal deity or remover of obstacles, but as the principle of consciousness itself, directly experienced through sound. The Atharvaśīrṣa identifies Gaṇapati as Brahman, the Self, and the underlying cause, sustainer, and dissolver of all existence."
"Traditionally, this text is chanted, not read silently. Its power lies not only in meaning, but in how it is voiced. What Are Swaras in Vedic Chanting? In Vedic Sanskrit, "swara" refers to pitch movement, not musical notes like Sa Re Ga Ma, but tonal directions. There are three primary swaras: These swaras ensure that the mantra vibrates at the exact frequency it was revealed in. If the swara is altered, the mantra becomes a different sound-form altogether."
Śrī Gaṇapati Atharvaśīrṣa belongs to the Atharva Veda and functions as an Upaniṣadic statement of tattva, presenting Gaṇapati as the principle of consciousness and Brahman. The text identifies Gaṇapati as the Self and the underlying cause, sustainer, and dissolver of existence. The tradition emphasizes chanting with precise Vedic swara—tonal intonations that determine a mantra's revealed frequency. Swara marks in the text are intonation indicators guiding correct vocalization. Sound, particularly nāda, bindu, and anusvāra, shapes prāṇa, which shapes mind and awareness, revealing mantra as direct experiential knowledge.
Read at YOGMAY
Unable to calculate read time
Collection
[
|
...
]