"In 'Half Man,' Gadd's treatment of themes like internalized homophobia and sexual assault is richer and more mature, showcasing his evolution as a storyteller."
"Niall's yearning for Ruben's approval and fear of his own desires are so acute that, when the show flashes forward to Niall's wedding, one half expects to see a woman waiting at the altar."
"Lori's unsentimentality toward her own son is funny and upsetting, as she scolds Niall, 'I've given you life; I don't need to.'"
'Half Man' delves into complex themes such as internalized homophobia, male sexual assault, and the evasion of blame. The characters, particularly Niall and Ruben, grapple with their traumas and self-loathing. Niall's struggles with his sexuality and desire for approval from Ruben are central to the narrative. The show features a small but strong cast, including Niall's mother, Lori, who navigates her relationship with Ruben while maintaining a tough love approach towards her son. The dynamics between characters highlight the impact of formative experiences on their lives.
Read at The New Yorker
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