"His vibrant typography work as part of his Untitled Unfinished - a poster series which sees him publish work that was rejected by clients or uncompleted by choice - wields colour with finesse, and also lead him to his recent collaboration working on Ashnikko's Smoochie album campaign and ongoing work with rock band Frank Carter & The Rattlesnakes."
"Ben is burning with curiosities with has a buzz for discovery, do he tends to start things off a little chaotic before reducing down to the micro, "Lately I've been trying to reduce things to their core, doing fewer things, but with more detail and intent." His Untitled Unfinished series is a testament to this experimental spirit - it's a reminder of the role curiosity and excitement take in feeding the creative process."
Ben Wood’s practice centers on playful, color-driven typography and experimental poster work. The Untitled Unfinished series publishes rejected or incomplete pieces and showcases vibrant colour use that led to campaigns such as Ashnikko’s Smoochie album and work with Frank Carter & The Rattlesnakes. Travel fuels creative input through exposure to different cultural uses of colour, typography, and visual language. Ben embraces chaotic beginnings that are refined into focused, micro-detailed outcomes, deliberately doing fewer things with greater intent. Curiosity and the beginner's mind produce excitement that energizes the design process and encourages noticing subtle visual details.
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