"Blue Lights is the opposite. It works so brilliantly because it's a stickler for the rules. It has to be. Rule-breaking mavericks generally come a cropper in Blue Lights. Shane (Frank Blake) nearly loses his career because of some shady evidence-gathering via a mobile phone. When Aisling (Dearbhaile McKinney) pays an after-hours visit to a domestic violence suspect, catches him abusing his wife and arrests him, she doesn't get a pat on the back; she is suspended for behaving like a vigilante."
"It began with an ominous question from HQ (Is your vehicle armoured or soft-skinned?) and culminated in a visibly panicking Grace (Sian Brooke) pleading Will someone tell me what to do?! The stomach-churning dread lay in the powerlessness of the car's passengers at this point, we can trust that Grace isn't going to go rogue as she might in a lesser show."
Blue Lights is a Belfast-set police thriller that emphasizes strict procedural policing over maverick heroics. Officers who break rules face real professional consequences, as shown by Shane's near-career-ending evidence-gathering and Aisling's suspension after an arrest. The series generates tension from officers' powerlessness and reliance on formal procedure rather than sensational individual action. A brutal ambush sequence highlights that salvation depends on disciplined radioed commands and protocol, not solo heroics. The show's commitment to realism and restraint produces a persistent, stomach-churning dread and gives the policing drama historical and emotional weight.
Read at www.theguardian.com
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