"Ideally, a reporter doesn't use sex to get close to a source. ( Can you imagine?) But, watching along, I felt a bit of sympathy for the guy, who couldn't seem to sort out whether he was really on a recon mission or whether he actually just liked the girl. That's par for the course for Industry, a show thatdoes not ask what the difference is between intimacy and transaction. It just assumes they are the same thing, as the characters screw each other literally and metaphorically."
"The show remains one of the best on television and has always stood apart for two reasons. One, it works great Wall Street capers into the plot, stories that sound too ridiculous to be true but then stack up pretty reasonably against the real-world events of the past five years. Two, the characters are all chasing a big sack of returns on investment, but they are mainly worried about not drowning."
Season four opens with a sexual encounter that is interrupted when the man reveals he is a financial reporter investigating the woman's firm. A young executive assistant reacts with fury and threats, while the reporter struggles to distinguish personal attraction from a recon mission. The series consistently blurs intimacy and transaction, showing characters who use sex and betrayal as tools to advance careers. The show weaves exaggerated Wall Street capers that resonate with recent real-world events. Characters pursue high returns but primarily fear professional failure, allowing money and career insecurity to shape relationships.
Read at Slate Magazine
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