In "A Knight of the Seven Kingdoms," Character Development Returns to Westeros
Briefly

In "A Knight of the Seven Kingdoms," Character Development Returns to Westeros
"Where "Thrones" was a soaring fantasia of ice, fire, dragons, and direwolves, and "House of the Dragon" was a saga spanning decades, "Knight" is a gentle buddy dramedy. It wants to give us a frisson of the old "Thrones" feeling but also wants to subvert it. The series signals this early in the first episode, when we watch our aspiring knight contemplate his future and get a good idea."
"The six-episode series, which débuted this month on HBO, has a small-scale focus, and its first season takes place on a small bit of map. Unlike " Game of Thrones" and its prequel " House of the Dragon," it doesn't aim for epic. Based on George R. R. Martin 's series of novellas "Tales of Dunk and Egg," and a welcome return to character development, "Knight" centers on the adventures of Dunk (Peter Claffey), a strapping naïf otherwise known as Ser Duncan the Tall,"
Set a century before Game of Thrones, A Knight of the Seven Kingdoms unfolds across six episodes on a compact portion of the realm. The story centers on Ser Duncan the Tall (Dunk) and his boy squire Egg, who travel together as Dunk seeks glory through a jousting tournament. The tone leans toward a gentle buddy dramedy, trading epic spectacle for character development and subversion of grand fantasy tropes. Scenes mix earnest aspiration with crude, comic moments, signaling whether the show's aesthetic suits individual viewers. The production emphasizes small-scale storytelling over dragons, long sagas, or sweeping political wars.
Read at The New Yorker
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