"Love Is Blind has never been a good show, even by reality TV standards. The first season of the series, in which young, generally attractive singles form emotional connections in pods and then get engaged sight unseen, had the good(ish) fortune of premiering just before a pandemic that gave pod a terribly relatable new valence; even still, it was described as toxic, revolting and, of course, totally addictive."
"At its best, the show can voyeuristically poke at our judgments and vocalize uncomfortable feelings, bringing up issues of race, politics, weight, attractiveness and age on top of the usual alcohol-aided drama, idealized romance and classic reality TV victim and villainy. At worst, it's boring."
"producers chose to make the season, which usually centers around a specific city—the better for couples to actually see each other—span the whole of Ohio, the seventh most populous state in the country that takes a minimum of three hours to drive across in any direction; this leads to fascinating conversations such as would you move to Cincinnati"
Love Is Blind has never been a critically acclaimed show, but the new Ohio season marks a particularly disappointing entry in the franchise. While earlier seasons occasionally provided voyeuristic entertainment by exploring uncomfortable social issues like race, politics, and attractiveness, the Ohio version fails on multiple fronts. Producers made the questionable decision to span the entire state rather than focus on a single city, creating logistical nightmares and forcing couples to navigate three-hour drives across Ohio. This geographical sprawl undermines the show's core premise and creates tedious content. The season exemplifies how reality TV escapism can become genuinely depressing rather than cathartic, particularly when production choices prioritize spectacle over coherence.
Read at www.theguardian.com
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