Edgar Allan Poe's "The Raven," Read by Christopher Walken, Christopher Lee & Vincent Price

"Of the many read­ings and ad­apta­tions of Edgar Allan Poe's clas­sic moody-broody poem " The Raven," none is more fun than The Simp­sons', in which Lisa Simpson's intro tran­si­tions into the read­ing voice of James Earl Jones and the slap­stick inter­jec­tions of Homer as Poe's avatar and Bart as the tit­u­lar bird. Jones' solo read­ing of the poem is not to be missed and exists in sev­er­al ver­sions on YouTube."

"But Jones is not the only clas­si­cal­ly creepy actor to have mas­tered Poe's dic­tion. Above, we have Christo­pher Walken, whose unset­tling weird­ness is always tinged with a cer­tain wry humor, per­haps an effect of his clas­si­cal New York accent. Accom­pa­nying Walken's read­ing are the stan­dard eerie wind sounds and the unusu­al addi­tion of some dis­tort­ed met­al gui­tar: per­haps an intru­sion, per­haps a unique dra­mat­ic effect. The visu­al com­po­nent, a mon­tage of expres­sive pen­cil draw­ings, also may or may not work for you."

"You may wish to con­trast this pro­duc­tion with what may be the locus clas­si­cus for tele­vi­su­al inter­pre­ta­tions of "The Raven." Of course I mean the ham­my Vin­cent Price read­ing (above), which lent so much aes­thet­i­cal­ly to The Simp­sons par­o­dy. One of my favorite lit­tle in-jokes in the lat­ter occurs dur­ing Bart and Lisa's intro­duc­tion. Bart whines, "that looks like a school-book!" and Lisa replies, "don't wor­ry, Bart. You won't learn any­thing.""

The Simpsons' adaptation of The Raven pairs Lisa's shift into a deep recitation voice with Homer's slapstick interjections and Bart as the titular bird, creating a comedic reinterpretation while standalone deep-voice recordings circulate online. Christopher Walken offers an unsettling, wry delivery accompanied by eerie wind, distorted metal guitar, and a montage of expressive pencil drawings. Vincent Price's hammy reading functions as a televisual touchstone and directly informs the Simpsons parody, which includes an in-joke about schoolbooks and a line that underscores contempt for moralizing literature. Performers' choices of vocal tone, sound effects, and visuals demonstrate how performance can reframe the poem's mood and intent.

Read at Open Culture