Bay Area theatre critics often embody negative stereotypes, lacking genuine engagement with the local theatre scene. One critic expressed disdain for the EXIT Theatre, citing his aversion to the Tenderloin area. This attitude highlights a disconnect from the realities faced by marginalized artists. In contrast, opportunities for deeper connection with diverse voices are welcomed. Recognition of the importance of multiple viewpoints in theatre is growing among independent artists seeking input from critics who understand their work, demonstrating a shift towards inclusivity in the field.
The majority of Bay Area theatre critics embody the Anton Ego stereotype that does our profession no favors, demonstrating a disdain for the local theatre scene.
A local critic ranted about his disdain for EXIT Theatre and its location, showcasing a disconnect from the realities of the theatre community.
The type of critic who scorns the proletariat is an unwelcome remnant of past decades, lacking the awareness to appreciate marginalized voices in theatre.
New invites from marginalized theatre artists highlight the appreciation for diverse voices and opinions in the artistic community, contrasting the views of some critics.
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