"The massive 61-megapixel full-frame sensor in the A7R V is the largest sensor you can get without jumping into medium format (which is significantly more expensive and bulkier). If that's not enough, there's actually an even higher resolution possibility that combines 16-shots into a single 240-MP image (so long as your subject is static, e.g., a landscape). That should print billboard-size without issue."
"Yes, the megapixel race is silly and mostly over, but I will say that I've shot quite a bit with the A7R C (which uses the same sensor), and the images from this 60-MP sensor are noticeable sharper and the dynamic range is visibly better than what I get from the A7R II (which has a 40-MP sensor). This is obviously the case on screen, when pixel peeping, but I also notice the difference when I print images."
"This is a 33-megapixel, full-frame camera that, while only half the resolution of the A7R V, is still plenty sharp and boasts a few video-oriented features you won't find in the higher-resolution model. It has very nearly the same excellent dynamic range and one of the best autofocus system on the market. Without getting too deep in the weeds of video technicalities, the A7 IV can record 4K/30p video by oversampling from a 7K sensor region."
Sony A7R V features a 61-megapixel full-frame sensor—the largest available outside medium format—and can produce a 240MP image via 16-shot multi-exposure for static subjects. Images from the 60MP sensor show noticeably sharper detail and improved dynamic range compared with older 40MP models, including visible benefits when printing. For those prioritizing cost or video, the Sony A7 IV is a 33-megapixel full-frame camera with excellent dynamic range, strong autofocus, and several video-oriented features, and is frequently discounted. The A7 IV records 4K/30p by oversampling from a 7K region, while the A7R V uses line-skipping, which can reduce sharpness and cause aliasing.
Read at WIRED
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