How 17th-Century Still Life Paintings Inspire Sculptor Miranda Keyes
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How 17th-Century Still Life Paintings Inspire Sculptor Miranda Keyes
""It's his paintings of glasses and reflective surfaces that mesmerise me. Glass flouts logic, it defies belief - reflecting, inverting and becoming its surroundings.""
""In doing this, it becomes an exploration of the surface itself and the complex interplay between light and dimension - these powerful and almost incomprehensible forces.""
""Miranda Keyes employs an intuitive and synergistic dance with spontaneity, persuading the temperamental material into sinuous sculpted vessels. Fragile and yet often functional, warped with an ominous and enchanting fluidity...""
""Her transition to glass coincided with her return to London, where she grew up and is now based in a studio in Bermondsey - which, not being known for...""
Miranda Keyes, a glass sculptor inspired by 17th-century painter Sebastian Stoskopff, emphasizes the significance of glass and its interaction with light in her artwork. Keyes was initially trained in bronze sculpture but shifted to glass after moving back to London. Influenced by Stoskopff's portrayal of glass and reflective surfaces, Keyes creates pieces that are both functional and ethereal, showcasing the fluidity and complexity inherent in glass. The article explores her creative journey and the relationships between materials, light, and dimension in her work.
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