"The new staging, directed by dancer-choreographer Debbie Allen, only intermittently captures the balance found in the last Broadway revival directed by Bartlett Sher in 2009."
"The production's central problem is not any single misstep but a lack of cohesion, as scenes often land on their own terms but do not always connect."
"Musical underscoring intrudes where silence would be more effective, and transitions break the flow rather than carry it forward, resulting in a staging that feels disjointed."
The Broadway revival of Joe Turner's Come and Gone effectively captures the richness of August Wilson's writing but struggles to create a cohesive whole. Set in a Pittsburgh boarding house in 1911, the play explores the lives of Black travelers dealing with the aftermath of enslavement and the Great Migration. While the production has moments of dramatic force, it suffers from inconsistent tone and disconnected scenes. The direction by Debbie Allen raises questions due to her limited experience with Wilson's work, impacting the overall flow and effectiveness of the staging.
Read at www.amny.com
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