Pop critics at The New York Times review notable new tracks each week. This week features Lorde's first solo song in four years, which revisits electronic sounds reminiscent of her 2017 album "Melodrama" while addressing themes of breakup and nostalgia. Danielle Haimâs track "Down to Be Wrong" showcases her evolution in confidence as she reflects on a breakup, supported by her sistersâ harmonies. Additionally, Ariana Grande contributes a classic jazz standard on Jeff Goldblum's album, highlighting her vocal talent with a vintage style. Each artist brings a unique exploration of personal themes within their music.
Lorde's new track marks a return to her electronic roots while exploring themes of past relationships and personal loss, creating a blend that is both nostalgic and dramatic.
Danielle Haim's song 'Down to Be Wrong' reflects on breakups with growing confidence, showcasing a transformation from uncertainty to a powerful acceptance of her decision.
Ariana Grande delivers a vintage jazz standard, showcasing her vocal prowess with poise and elegance, integrating new musical textures while honoring the classic.
The new tracks signal a shift back to electronic sounds for Lorde and affirm Haim's vocal evolution, further highlighted by Ariana Grande's classic styling.
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