"What ultimately wins Best Musical feels unusually difficult to predict, largely because none of the nominees has emerged as either a major critical triumph or a genuine commercial hit. Each show has its defenders and devoted fans, but none has established the kind of overwhelming momentum typically associated with a Best Musical wi"
Only six new musicals opened on Broadway this year, far fewer than last season’s 14. The Best Musical lineup includes The Lost Boys, Schmigadoon!, Titanique, and Two Strangers (Carry a Cake Across New York), which feels more like a result of industry retreat than a showcase of the form’s best. Recent seasons featured ambitious productions with capitalization costs above $20 million, many of which failed commercially within months. Earlier expensive flops such as Smash and Boop! The Musical signaled financial trouble quickly after opening. Investors became more cautious about financing costly new musicals, making it harder for productions to reach Broadway. The Tony race reflects this shift, with nominees that feel artistically thin or misguided and no clear critical or commercial momentum behind any contender.
Read at www.amny.com
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