Suzanne Farrell, renowned for her role in the New York City Ballet, gives insightful direction during a rehearsal for George Balanchine's Chaconne. She emphasizes the importance of delicacy in performance, contrasting with excessive energy. Over the hour, she shares valuable lessons, such as the significance of natural movement and the need for balance in presentation. Farrell reflects on her fortunate career, having originated numerous roles for Balanchine, whom she deeply admired, highlighting that her artistic journey intertwined with his life and legacy.
Too much energy, too much, too much, too much, Suzanne Farrell said as she watched Isabella LaFreniere rehearse George Balanchine's Chaconne.
To stay was to be stuck. To have too presentational an approach was a favorite hate.
The arms don't have to be huge, but they can't be nothing.
I had the benefit of doing all those beautiful ballets that he did before I was born and then the things that we did together.
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