Self-taught artist's erotic needlepoint provides spark in film about gallery assistant's slow, searching summer
Briefly

In "Drunken Noodles," writer-director Lucio Castro portrays Bard College student Adnan, who spends his summer in New York balancing cat-sitting and a gallery assistant job. The narrative captures Adnan's mundane yet introspective routine, emphasizing modern urban connections facilitated by apps. As he engages in fleeting encounters and explores erotic art, the film reveals the deeper yearnings of its characters amidst a seemingly tranquil summer backdrop. Castro's nuanced storytelling highlights the complexities of contemporary relationships and the inherent unpredictability of human connection.
"In Drunken Noodles, Adnan immerses himself in a self-contained summer routine, exploring the nuances of desire that apps can’t fully satisfy."
"Castro, like Hamaguchi, captures an urban landscape that feels tranquil but masks a deep, underlying yearning within its characters."
Read at Theartnewspaper
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