"The production signals its interest in recreating 1970s New York at the outset of the Watergate era, but the accumulation of references feels less like texture than indulgence."
"Guirgis preserves the outline of the story, but instead of tightening the material for the stage, he expands it, layering in new dialogue and extended bits of supporting character business that sap momentum."
"Under the direction of Rupert Goold, the production leans into broadness, leaving the show caught awkwardly between hostage thriller and ensemble comedy."
"Scenes that should crackle instead drift into exaggerated, sometimes sitcom-like exchanges, which detracts from the gripping nature of the original film."
Jon Bernthal and Ebon Moss-Bachrach take on roles in a Broadway adaptation of Dog Day Afternoon, originally a film by Sidney Lumet. Playwright Stephen Adly Guirgis adapts the story, expanding it with new dialogue and character backstories. However, this expansion detracts from the momentum of the narrative. The production aims to recreate 1970s New York but often feels cluttered with references. Directed by Rupert Goold, the show struggles to balance its tone, resulting in scenes that lack urgency and drift into exaggerated exchanges.
Read at www.amny.com
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