"The Robinsons clearly hadn't received the memo, arriving in a blaze of paisley and patchouli with an inspired Otis Redding cover that dragged its 60s Stax strut all the way into the early 70s, redressing it in bell-bottomed denim and Sticky Fingers swagger."
"In this grimmest of moments, with war and genocide and maniacs at the wheel across the globe, who could blame anyone for escaping into the simpler world conjured here, governed by Keef-worthy riffs, infallible slip-slide grooves and the kind of rock'n'roll misadventure that's always been rejuvenated in the Crowes' hands?"
"That's why it's hard to begrudge the Crowes their fascination with vintage sounds and styles: no other band since has played the past with such authority, such joy, such full-blooded commitment to the bit. They long ago transcended pastiche to become the thing they worshipped, a neat trick if you can pull it off."
The Black Crowes, led by brothers Chris and Rich Robinson, have maintained their distinctive retro rock sound since the late 1980s, deliberately resisting contemporary musical trends. Despite numerous lineup changes, splits, and hiatuses over nearly 40 years, the Robinson brothers remain the only founding members. Their 10th album, A Pound of Feathers, continues the momentum from 2024's Happiness Bastards, which marked their successful return after a decade-long hiatus and earned their best reviews in years. Working with the same producer and Nashville studio as its predecessor, the album showcases their mastery of vintage rock and roll without feeling formulaic. The Crowes have transcended mere pastiche to authentically embody the classic rock traditions they celebrate.
Read at www.theguardian.com
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