Drake Can Still Be Interesting
Briefly

Drake Can Still Be Interesting
A failed lawsuit accused of bot-farming and libel claims ended in a spectacular defeat and continued appeals. Drake’s public consensus is portrayed as irreparably broken, with some viewing him as a king and others as a fraud. He released a highly publicized ninth album, Iceman, along with two additional full-length projects, Maid of Honour and Habibti. Iceman frontloads fallout from a 2024 feud, presenting cold raps that target adversaries sequentially. Maid of Honour and Habibti shift toward different sounds, including global party jams and wounded R&B, mapping a move away from all-consuming vengeance. The trilogy is framed as music for different listener moods while trying to drown out public controversies.
"Drake's lawsuit against UMG famously claimed he was a victim of a bot-farming scheme that gave Lamar's "Not Like Us" unfair traction in their feud. It also framed page after page of social-media reactions as proof that real fans believed every word of the song, which he says contains libelous rumors such as his being a pedophile. The suit failed spectacularly and continues to flail in appeals."
"Drake now understands that any consensus around him is irreparably broken. Some see a king; others, a fraud. Last week he returned with his long-awaited and highly publicized ninth album, Iceman, plus two more full-lengths no one saw coming, Maid of Honour and Habibti. It is at once some of his most exciting and most perfunctory music of the decade."
"Iceman frontloads the fallout from the 2024 " 20 vs. 1," as Drake calls it, on account of an avalanche of spite from his erstwhile friends. The album is an expanse of frosty raps that picks off adversaries one by one. Maid of Honour and Habibti buzz off toward different genres - global party jams, wounded R&B - and map the Toronto rapper-singer's journey out of an all-consuming vengeance."
""I made this to make this to make this," Drake said on a livestream announcing the trilogy. There are separate albums for people who come to his music to pout, dance, and swoon. The middle album, Maid of Honor, fares best by minimizing both Iceman's boiling ire and Habibti's sleepy bedroom banter. The differing temperaments share a goal of reeling us back into Drake's world while collectively drowning out his public headaches."
Read at Vulture
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