"Spending so much time onstage, it's really easy to forget what it feels like to be in the middle of a crowd. He's spoken wistfully of seeking out the anonymity of dark nightclubs in order to reclaim the experience of dancing among strangers, running the Berlin Marathon under an assumed name as part of his effort to live like a regular person."
"Styles seems to have remembered the sensation on the beat-heavy 'Kiss All the Time,' his fourth solo LP. Again and again here he evokes a kind of blissful abandon, the more unself-conscious the better; he keeps singing about getting lost, as he puts it in 'Dance No More,' where 'there's no difference in between the tears and the sweat.'"
"It's a startlingly pragmatic way to describe the work of pop stardom, as though Styles views the mechanics of celebrity performance as a practical exercise in maintaining audience satisfaction while preserving his ability to live an authentic life outside the spotlight."
Harry Styles released his fourth solo album 'Kiss All the Time. Disco, Occasionally.' which debuted with over 60 million Spotify streams, the largest album opening of 2026. The album arrives four years after 'Harry's House,' which achieved major critical and commercial success including Grammy and Brit Award recognition. Styles has expressed a desire to live like an ordinary person, running the Berlin Marathon under an assumed name and seeking anonymity in nightclubs to experience dancing among strangers. The new album reflects this tension, featuring beat-heavy production and lyrics about getting lost and blissful abandon. Styles describes the work of pop stardom in pragmatic terms, suggesting a complex relationship between his public persona and private desires.
Read at Los Angeles Times
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