"Brown Sugar, from 1995, had a little bit of everything for everyone. Moody joints like the title cut "Brown Sugar" and "Me and Those Dreamin' Eyes of Mine" for the hip-hop set; real R&B joints like "Lady" and "Alright" that made women, predominantly Black women, feel single, real quick; and throwback songs from previous eras that showed his versatility. He was so with it,"
"He was so with it, he reworked a Smokey Robinson tune-a no-no in the culture, you don't mess with Unc-and made it his own. That's NFL-level, Alpha type of swag coming from this dude in cornrows, baggy jeans, wearing Tims. Yep, that dude crafted a version of "Cruisin" for us, the Black Gen X'ers, that was so legit, old heads, the ones who vowed never to get or dig hip-hop, just could not deny it."
Michael D'Angelo Archer, a Richmond, Virginia native, was a cross-generational R&B artist and a backbone figure of the neo-soul movement. Brown Sugar (1995) blended moody tracks, hip-hop-oriented songs, contemporary R&B, and throwback styles, showing versatility and appealing across generations. He reworked Smokey Robinson's "Cruisin" with authenticity that won over skeptics. A five-year gap preceded Voodoo as writer's block and pressure complicated the follow-up. Voodoo (2000) helped recontextualize soul and R&B into a lasting institution within Black music. He studied at the altar of Al Green, Marvin Gaye, and Parliament Funkadelic. D'Angelo died of pancreatic cancer at 51.
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