"I often start something by thinking: I wish there was a piece of music like this, whatever this means in my mind. For instance, one of my best known records is Music for Airports, and that came from a very direct experience like that, of sitting in a newly built airport in Germany, near Cologne, and everything about the airport was dazzlingly beautiful."
"It ought to be something a bit more Anyway, a bit more. I started to think: What should it be more of? And so I started thinking and trying to make a kind of music that I thought would make the airport experience feel important and special. And there were quite a lot of technical considerations, like, obviously it mustn't interfere with communication. People must be able to talk over it."
Brian Eno creates ambient compositions tailored to environments, aiming to make spaces feel important and special. Music for Airports grew from an experience in a newly built airport near Cologne where loud disco music clashed with beautiful architecture. Eno conceived music that would not interfere with speech, would tolerate interruptions, and would play continuously so listeners would not feel they had missed something. Technical constraints guided composition: maintain a continuum, avoid abrupt starts and stops, and ensure background legibility. The goal was to support transitions in people's lives, enhance public atmosphere, and provide an unobtrusive yet emotionally resonant soundtrack.
Read at www.nytimes.com
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