"The release of a new Taylor Swift album, like all things in the Taylor-verse, is not a moment for solitude. It is a social event, a time to share hot takes, analyze clues, jump to conclusions. I must have done something right in my life, because I am fortunate enough to be surrounded by brilliant, Swift-obsessed young women brimming with thoughts about the World's Greatest Pop Star."
"It seems like she sees it as her last big pop moment, so she's throwing herself into it full force because she feels like it's her last chance. Ugh. The lyrics are lacking for me on this. I'm missing any real emotion. It just feels like a lot of petty wordplay that won't age well and isn't half as clever as she thinks."
"Consensus has been hard to come by in the first wave of reaction to Showgirl, even from the post-millennial faithful whose thoughts matter a hell of a lot more than mine do. And to be fair, these feelings may evolve over timeone of my correspondents above wrote back the next day to report that a song she had initially described as cute and lazy was now making her cry."
Taylor Swift released The Life of a Showgirl at midnight, and the moment became a social event rather than a solitary listening experience. Immediate text-message reactions from Swift-obsessed young women ranged from addiction and praise for storytelling to disappointment, claims of derivative pop, and critiques of lyricism. Some listeners described maturity and uniqueness, while others found petty wordplay lacking lasting emotion. Early judgments proved unstable, with at least one listener revising an initial cute-and-lazy assessment to become emotionally moved. The release arrives after the Eras Tour and the announcement of an engagement to Travis Kelce, increasing cultural resonance.
Read at www.esquire.com
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