On Kiss All the Time. Disco, Occasionally, Harry Styles Is at His Best When He's Crashing Out: Review
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On Kiss All the Time. Disco, Occasionally, Harry Styles Is at His Best When He's Crashing Out: Review
"Like many of the project's lyrics, it's less of a command to the audience as it is self-directed. Styles knows there's no catharsis without immersion, and on his new album, he is in desperate need of release. That release arrives most powerfully on tracks like "Season 2 Weight Loss," where a frenetic breakbeat gives way to something raw and urgent, or "Pop," where the rush of new love tips into near-panic."
"Styles' first new album since 2022's Harry's House promises transcendence through dance music. It's certainly a feature of opening song - and the only preview of the album ahead of release - "Aperture." Throughout the five-minute track, Styles lets a kaleidoscopic beat and euphoric hook do much of the talking, building from hushed intimacy to a choir-laden refrain that feels genuinely euphoric."
"Kiss All the Time. Disco, Occasionally - true to its title - is only occasionally that album. More often, it's a record about the push and pull of romance, the forming and dissolving of relationships, and a restless search for something Styles can't quite name. The disco is real, but so is Styles' existential crisis."
Harry Styles' latest album Kiss All the Time promises transcendence through dance music but delivers a more complex exploration of romance, relationships, and personal searching. While opening track "Aperture" establishes euphoric dance expectations, the album primarily operates as introspective pop-rock with heavy influences from late 2000s indie rock. Standout tracks like "Season 2 Weight Loss" and "Pop" showcase Styles at his most compelling, featuring frenetic breakbeats and raw urgency. The album balances disco elements with nervy, bass-heavy indie rock reminiscent of Franz Ferdinand, creating a sonic landscape that reflects both the rush of new love and underlying existential crisis. Styles' lyrics often function as self-directed commands, emphasizing the need for immersion and cathartic release.
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