Morgan Wallen's fourth album, spanning an excessive two hours, reveals a profound thread of paranoia and fatalism amid what some might consider filler. As the biggest name in country music today, Wallen's sound defies strict definition, blending elements of pop, rock, and country. This latest project reflects his internal struggles and scrutiny resulting from his success, marking a shift from celebratory anthems to a more introspective approach, making it his most authentic work to date.
It's hard to say exactly what 'country' means these days, but even if you can't define it, you know it when you hear it.
Five years later, Wallen is by far the biggest name in country at a time when the genre's more popular than it's been in decades.
If the 37 songs of I'm the Problem are any indication—well, not great! Instead, success and its accompanying scrutiny seem to have turned Wallen inward.
Instead of celebratory anthems, Wallen embraces paranoia and fatalism, resulting in his most revealing and personal album to date.
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