Miguel Cultura's 'Mal Entendido' Is Rooted in Cultural Wisdom
Briefly

Miguel Cultura's 'Mal Entendido' Is Rooted in Cultural Wisdom
"The scent of copal flowed out of Nexxus Bar and Grill onto the corner of Third and East Santa Clara streets in downtown San Jose. Inside, a young girl welcomed each visitor and handed them a cempasuchil (marigold)-all its golden petals and long stem intact. "Hold onto it until the end," she instructed. On this rainy Monday evening, a steady flow of supporters gathered to celebrate a local album release by Miguel Saucedo, better known as the rapper Miguel Kultura."
"In the center of the bar stood a large, five-tiered altar: Saucedo's personal Día de los Muertos ofrenda, honoring his direct ancestors and musical influences. Flanking the altar were two live painters. On the left, artist Francisco Ramírez fleshed out a hyperrealistic portrait of Saucedo in striking orange acrylics. On the right, artist Miguel Machuca used an old-fashioned draft eraser to etch a vintage microphone, haloed by rose thorns."
"Around them, attendees mingled and waited for the live performances to start. As a bilingual rapper who writes primarily in Spanish, Saucedo had prepared openers with similar values. Sin Fronteras Dreams, an San Francisco-based hip-hop project, performed songs about modern-day resistance. When Saucedo took the mic, he thanked everyone for participating in his collective healing space. "What you normally see in prayer circles or danza, I wanted to bring it to the hip-hop stage," Saucedo says."
Miguel Saucedo, known as Miguel Kultura, released his first full-length project, Mal Entendido, on Indigenous Peoples Day. The release event took place at Nexxus Bar and Grill in downtown San Jose, where copal and cempasuchil set a ceremonial tone and attendees received marigolds to hold through the evening. A five-tiered Día de los Muertos ofrenda honored ancestors and musical influences while live painters created portrait and microphone imagery. Bilingual hip-hop openers performed themes of resistance, and Saucedo led a final offering that blended prayer-circle and danza practices with a hip-hop stage for collective healing.
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