Lady Gaga Releases New Live Album Mayhem Requiem
Briefly

Lady Gaga Releases New Live Album Mayhem Requiem
"Mayhem Requiem was billed as "the final chapter of the Mayhem era," starring Gaga as "the phantom of her own gothic opera." Each song boasts a tweaked-and in many cases, more theatrical-arrangement, with the synth pop of "How Bad Do U Want Me" becoming a more traditional ballad and "Abracadabra" opening as a spare piano étude."
"The album, which was recorded during a no-phones-allowed show at Los Angeles' Wiltern Theatre in January, "reimagines" her 2025 album with new arrangements. It also arrives with a concert film that will show at one-night-only screenings in select AMC theaters tonight (May 14)."
"Since releasing Mayhem, her first new LP since 2020's Chromatica, Mother Monster has been communing with her disciples around the world on an extensive tour, which included a massive free concert at Rio de Janeiro's Copacabana Beach last year. She has also performed at the VMAs, salsa-ed her way through Bad Bunny's Super Bowl LX Halftime Show, covered Mister Rogers' " Won't You Be My Neighbor," and contributed multiple songs to The Devil Wears Prada 2 soundtrack, including " Runway" with Doechii."
"Mayhem won Best Pop Vocal Album at the 2026 Grammys, where she also performed " Abracadabra" with former Foo Fighters and current Nine Inch Nails drummer Josh Freese."
Mayhem Requiem is a live project released via Apple Music, recorded during a no-phones-allowed performance at Los Angeles’ Wiltern Theatre in January. The release reimagines Lady Gaga’s 2025 Mayhem album with tweaked, often more theatrical arrangements. “How Bad Do U Want Me” is transformed from synth pop into a more traditional ballad, while “Abracadabra” begins as a spare piano étude. The project also includes a concert film scheduled for one-night-only screenings in select AMC theaters. The tracklist features live performances of songs from the Mayhem era, including multiple interludes. The release is framed as the final chapter of the Mayhem era, with Gaga portrayed as the phantom of her own gothic opera.
Read at Pitchfork
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