Hit-Boy Drops "N.T.A.B." with Spank Nitti James and Lefty Gunplay, Hints at Bigger Moves | stupidDOPE | Est. 2008

"Hit-Boy is showing no signs of slowing down. The Fontana, California native and multi-platinum producer has been on an undeniable run throughout 2025, cementing himself not just as one of hip-hop's most consistent hitmakers, but as a creative force whose influence stretches across the culture. From chart-topping records with household names to deep cuts with West Coast underground heavyweights, Hit-Boy is everywhere right now."

""N.T.A.B." - short for "Never Trust A B*tch" - finds Hit-Boy linking up once again with Spank Nitti James, his increasingly frequent collaborator. Their chemistry has been steadily building since their joint tape High-Class Wiggler dropped in June, a project that has been quietly gaining momentum among fans who appreciate the raw, unfiltered energy both artists bring. This new single expands that partnership and adds another voice to the mix with Lefty Gunplay,"

"The result is a track that feels like a rowdy, late-night club anthem - raunchy, braggadocious, and unapologetically West Coast. The beat is dark yet bouncy, laced with the kind of low-end knock and layered percussion that Hit-Boy has mastered over his career. As always, his production work strikes the perfect balance between underground grit and mainstream appeal, making "N.T.A.B." a record that can work just as well in street playlists as it does in nightlife settings."

Hit-Boy maintained intense momentum throughout 2025, delivering both charting records and underground collaborations that broaden his cultural reach. The single "N.T.A.B." pairs him with frequent collaborator Spank Nitti James and features Lefty Gunplay, emphasizing a chemistry built since their High-Class Wiggler tape. The track channels rowdy, late-night club energy with raunchy, braggadocious West Coast swagger. Production combines dark, bouncy low-end and layered percussion that bridges underground grit and mainstream appeal. Hit-Boy also raps on the song, reinforcing his dual role as a producer-rapper and a consistent creative force across scenes.

Read at stupidDOPE | Est. 2008