"It perfectly encapsulated their appeal: smooth but not slick, an awesomely tight band making breezily relaxed music, one fantastic song after another. Live albums can often seem like an afterthought, a nice addendum rather than a pivotal part of a band's career. But Space Ritual is the best way to experience Hawkwind's unique melding of psych, proto-punk, electronics, motorik krautrock-like repetition: advertised with the fabulous line 88 minutes of brain damage, it's immersive, hypnotic and awesome."
"Stuffed with incredible, hitherto unleased songs He's Gone, Brown-Eyed Women, Ramble on Rose the triple Europe '72 might be their greatest album full stop. Cosmic Jerry Garcia and Bob Weir of the Grateful Dead in London, 1972. Photograph: Michael Putland/Getty Images 25. Otis Redding Live at the Whisky a Go-Go: The Complete Recordings (2016) Six CDs may seem de trop but this is still the best way to hear Otis Redding live."
Live recordings reveal distinct artistic strengths through performance, arrangement and audience context. Maze's Live in New Orleans delivers smooth, tight, relaxed underground soul with consistently strong songs. Hawkwind's Space Ritual combines psych, proto‑punk, electronics and motorik repetition into an immersive, hypnotic live spectacle. Portishead's Roseland NYC Live pairs decks, synth and guitar with strings, woodwind and brass to augment an eerie sound and showcase Beth Gibbons' voice. Laura Nyro's Live at the Bottom Line feels intimate and supple, spanning soul, gospel and jazz with strong vocal presence. Europe '72 captures the Grateful Dead's cosmic fusion of exploration, blues and country‑rock, while Otis Redding's multi‑disc Whisky a Go‑Go set offers comprehensive live exposure.
Read at www.theguardian.com
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