Doja Cat Drops "Jealous Type" as She Teases Upcoming Album Vie | stupidDOPE | Est. 2008
Briefly

Doja Cat's "Jealous Type" fuses vulnerability and swagger over '80s-inspired dance textures, sleek synths, and a glossy production sheen. Jack Antonoff's production shapes the song while Doja's performance personalizes it, creating a sound that feels both retro and forward-looking. The track frames modern romance through insecurity and longing, packaged in a groove suited to nightclubs or midnight drives. The song ranks among Doja's favorites on Vie, with "Gorgeous" close behind in her own estimation. The near-simultaneous release timing with another major pop album sets up a likely Billboard chart competition when both albums arrive in September.
Doja Cat is no stranger to commanding attention, and her latest single "Jealous Type" proves she knows how to keep her audience hooked. With her fifth studio album Vie on the horizon, the multifaceted artist is feeding fans with a track that balances vulnerability and swagger. Produced by Jack Antonoff - the hitmaker behind Taylor Swift's chart dominance - the song lands at a fascinating cultural moment.
"Jealous Type" isn't your standard pop release. It's layered with '80s-inspired dance textures, sleek synths, and a glossy sheen that feels both retro and forward-thinking. Antonoff's fingerprints are all over the production, but Doja's performance makes it uniquely hers. The song explores modern romance through the lens of insecurity and longing, wrapping its emotions in a groove that's equally at home in a nightclub or a midnight drive.
Doja describes the track as one of her favorites from Vie, though she admits it's constantly battling with another song, "Gorgeous," for the top spot in her personal ranking. "They're grabbing each other's hair and beating the shit out of each other," she joked in a recent interview, capturing the playful irreverence that fans have come to expect from her. That candid honesty bleeds into the music itself, giving "Jealous Type" an edge that cuts through the glossy production.
Read at stupidDOPE | Est. 2008
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