"When worriers worry about our city's current music scene being overshadowed by its proud history, I try to argue the opposite: We're illuminated by that history. No matter the style - punk, jazz, go-go, anything, everything - the music made in Washington in previous decades helps us better understand our musical pathways, giving today's scene an assortment of torches to carry."
"Within months, Bad Brains would become synonymous with speed and precision throughout the American underground, but there's stillsome lag and squirm to savor in these early performances. Vocalist H.R. delivers the titular refrain of "Right Brigade" in a gargled yodel, as if being electrocuted; then, during "Coptic Times," he's suddenly the one administering shock treatment. But even in the disorienting whirl of the band's nascency, the Bad Brains sound fully aware of their own realness."
"Yes, this awesome and foundational riot grrrl band reassembled in 1999, but back in 1994, Bratmobile appeared to be going out with a wink and a snarl. The trio released two recordings - now remastered and conjoined - the same year they broke up, maxing out on fury and fun. On "The Real Janelle," drummer Molly Neuman hurries the beat; guitarist Erin Smith buzzes and pokes; vocalist Allison Wolfe - whether shouting exultations or threats - sneers herself hoarse. Somehow even better, &qu"
Five vintage Washington recordings were resurfaced or reissued in 2025, offering renewed insight into the city's musical lineage across punk, jazz, go-go, and other styles. Bad Brains' Live at the Bayou captures early 1980–1981 performances that show both raw squirm and the band's imminent technical mastery, with H.R.'s electrifying vocals on songs like "Right Brigade" and "Coptic Times." Bratmobile's remastered Real Janelle b/w The Peel Session documents the trio's 1994 breakup energy, featuring Molly Neuman's urgent drumming, Erin Smith's buzzing guitar, and Allison Wolfe's hoarse, sneering vocals. These reissues provide torchbearing recordings that illuminate contemporary musical pathways.
Read at The Washington Post
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