Adam Lindemann announced the closure of his gallery, Venus Over Manhattan, to return to his roots as a collector. He reflected on his experiences, noting the gallery's achievements, including significant media recognition and the showcasing of overlooked artists. However, he also shared the struggles and emotional hardships faced by dealers within the art industry. Describing the alienation felt during his transition between roles, Lindemann humorously expressed his eagerness to reconnect with the art community through personal engagements, leaving behind the challenges of selling art.
Lindemann expresses his pride in the gallery's achievements, including significant media coverage, and highlights the spotlight given to lesser-known artists like Polish Holocaust survivor Maryan.
The letter candidly addresses the challenges faced by art dealers, revealing the often humiliating process for gaining acceptance within gallery systems and the emotional toll it takes.
Transitioning from collector to dealer led to a disconnect with both communities, leaving Lindemann feeling alienated and misunderstood by both sides of the art world.
With a humorous farewell, Lindemann enthusiastically announces his return to collecting, emphasizing a desire for more genuine connections and enjoyable experiences within the art community.
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