"Poison Ruïn were a compelling curiosity: an anonymous, no-fi anarcho-punk project, kitted out in chainmail and singing about the plight of the medieval peasantry."
"Their second album, Hymns From the Hills, is Kennedy's view from beyond the proverbial castle walls, and he writes eloquently from that perspective."
"He expresses solidarity with those 'dropped off and discarded at the borders on this land' on the title track before flipping his tone to one of fear on 'Eidolon'."
"Kennedy has learned to walk the fine line between what he's called 'sword for sword's sake' aestheticism and the use of medieval imagery to make pointed societal critiques."
Poison Ruïn combines medieval imagery with punk music to address contemporary societal issues. Originating as an anonymous anarcho-punk project, the band has evolved under Mac Kennedy's leadership. Their second album, Hymns From the Hills, reflects a broader perspective, emphasizing solidarity with marginalized individuals. Kennedy navigates the balance between aestheticism and meaningful critique, showcasing a unique blend of historical themes and modern relevance. The band's sound evokes a revolutionary spirit, drawing parallels between the struggles of the medieval peasantry and today's societal challenges.
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