Lorde's performance at Glastonbury, casually tagged as TBA, was an anticipated debut of her new album 'Virgin.' Despite lacking formal acknowledgment, she subtly confirmed her identity through references and social media. This show marked a shift in her musical approach, embracing a looser style evident in early singles. Known for her resonant impact since 'Pure Heroine,' her loyal fanbase views her as a relatable figure. The performance showcased her evolution, with Lorde arriving onstage in a minimalist style that echoed artistic influences and drew significant audience excitement.
It's a bold move, to debut a new album to a crowd who won't yet have had a chance to listen to it, let alone form any impressions.
Since her precocious debut, Pure Heroine, she has enjoyed a devout fanbase, many of whom look on her as a big sister figure: worldly and warm, but only intermittently available.
With Virgin it’s been made clear, from the three singles and pre-album press, Yelich O’Connor is taking a different tack to music, attempting something looser, more immediate and more off-the-cuff.
Arriving on stage to strobe lighting and a huge cheer, Lorde is dressed simply in a white baby tee and cargo pants, resembling, with her shock of dark hair, Patti Smith.
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