The song serves as a poignant reflection on the impacts of the financial crash, with lyrics referencing political figures and personal experiences. It highlights the struggle of younger generations facing unaffordable housing and the necessity to emigrate. The artist stands firm in championing trans rights and supporting the Free Palestine movement, demonstrating a commitment to social causes amidst a politically charged atmosphere. The performance resonates deeply with attendees, resonating feelings of loss and frustration over public service decline and community disintegration since the recession.
"I'm so sorry that this has struck a chord with so many of you" as she refers to her song about the financial crash and its severe repercussions.
"All the big boys/ All the Berties/ All the envelopes, yeah they hurt me/I was 12 when the das started killing themselves all around me" captures the personal pain linked to the political climate.
Thompson addressed the issue of youth emigration due to unaffordable living conditions with, "Nobody I grew up with basically lives here anymore, everyone has had to emigrate."
She commented on the ongoing struggles with housing, stating, "Building houses/They stay empty even now."
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